David Shillinglaw's art explores themes of identity and the human condition, whether a complex anatomical diagram or simple stick man. Drawing on ideas from ancient mythology as well as popular culture, the artist creates a dialogue between the historic and the contemporary. Shillinglaw often paints directly onto found objects, forging a candid relationship between himself and his shifting environment. Shillinglaw was born in the Middle East, which may explain his thirst for travel. Since graduating from Central Saint Martins in 2002 he has exhibited in galleries in Japan, China, and throughout Europe, making his mark in key cities such as New York, Paris, Istanbul and Cape Town. Shillinglaw's work moves between street and studio, from small hand made books, to paintings on canvas and large-scale wall murals.