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Lauren Baker

Lauren Baker

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One of the four shifting frames of The Opening, a large reflective lenticular artwork by British artist Lauren Baker. In portrait orientation, this frame shows an aura-like diamond of light on a pale blue-grey ground: a deep, near-black navy core radiates outward through dark teal and rich turquoise into a luminous mint-white halo that dissolves softly into the background, with no hard edges anywhere. Shown in its white wood box frame. In the full lenticular, this image dissolves and flows into three further abstract compositions as the viewer moves, the large scale making the shifting surface feel like a window opening between states. Lauren Baker | The Opening (Lenticular)
One of the four shifting frames of The Opening, a large reflective lenticular artwork by British artist Lauren Baker. In portrait orientation, this frame shows an aura-like diamond of light on a pale blue-grey ground: a deep, near-black navy core radiates outward through dark teal and rich turquoise into a luminous mint-white halo that dissolves softly into the background, with no hard edges anywhere. Shown here in a dark box frame, which throws the glowing teal centre into sharper contrast. In the full lenticular, this image dissolves and flows into three further abstract compositions as the viewer moves. Lauren Baker | The Opening (Lenticular) | Black Frame
The Opening (Lenticular) by Lauren Baker, one of four frames: a glowing diamond of light radiating from a deep navy centre through teal and turquoise on a pale blue-grey ground. Lauren Baker | The Opening (Lenticular) | Unframed

Lauren Baker

The Opening (Lenticular), 2022
Reflective Lenticular, formed of four abstract paintings, white wood box frame
118.8 x 84.1 x 1 cm
46 3/4 x 33 1/8 x 3/8 in
Edition of 10
£ 4,500.00
Lauren Baker, The Opening (Lenticular), 2022
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Further images

  • (View a larger image of thumbnail 1 ) One of the four shifting frames of The Opening, a large reflective lenticular artwork by British artist Lauren Baker. In portrait orientation, this frame shows an aura-like diamond of light on a pale blue-grey ground: a deep, near-black navy core radiates outward through dark teal and rich turquoise into a luminous mint-white halo that dissolves softly into the background, with no hard edges anywhere. Shown in its white wood box frame. In the full lenticular, this image dissolves and flows into three further abstract compositions as the viewer moves, the large scale making the shifting surface feel like a window opening between states.
  • (View a larger image of thumbnail 2 ) One of the four shifting frames of The Opening, a large reflective lenticular artwork by British artist Lauren Baker. In portrait orientation, this frame shows an aura-like diamond of light on a pale blue-grey ground: a deep, near-black navy core radiates outward through dark teal and rich turquoise into a luminous mint-white halo that dissolves softly into the background, with no hard edges anywhere. Shown here in a dark box frame, which throws the glowing teal centre into sharper contrast. In the full lenticular, this image dissolves and flows into three further abstract compositions as the viewer moves.
  • (View a larger image of thumbnail 3 ) The Opening (Lenticular) by Lauren Baker, one of four frames: a glowing diamond of light radiating from a deep navy centre through teal and turquoise on a pale blue-grey ground.
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An invitation to go within. The Opening is a reflective lenticular formed of four abstract paintings, merged so that they flow into one another as the viewer moves. Where its...
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An invitation to go within. The Opening is a reflective lenticular formed of four abstract paintings, merged so that they flow into one another as the viewer moves. Where its sister work The Beginning poses the invitation, The Opening answers it: at its monumental scale, the shifting surface behaves less like a picture and more like a window, opening and closing between states as you walk past it.The lenticular form is the message. Baker uses the medium's inherent change to embody transition itself, the moment a fixed view gives way and something new appears through it. As the four paintings cross over one another, the work asks the viewer to surrender to the unknown, to release the fixed image and trust what emerges in its place. Enhanced life-force and new beginnings beckon; life becomes a journey into the glorious unknown.The scale makes the piece a presence in the room. At 118.8 x 84.1 cm unframed, it holds a wall the way her light installations hold a space, and the white wood box frame with anti-reflective glass keeps the focus on the reflective surface and its shifting light. Signed and numbered from an edition of just 10. Unframed: 118.8 x 84.1 x 1 cm; framed: 123 x 88 x 5 cm. £4,500, with anti-reflective glass framing at £550.
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