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Artworks

Abstract square painting by artist anika de souza depicting a brown soill mark with blue light and calligraphy. Turner Art Perspective, Essex Gallery Anika De Souza | Dust to Dust
Abstract square painting by artist anika de souza depicting a brown soill mark with blue light and calligraphy. Turner Art Perspective, Essex Gallery Anika De Souza | Dust to Dust
Abstract square painting by artist anika de souza depicting a brown soill mark with blue light and calligraphy. Turner Art Perspective, Essex Gallery Anika De Souza | Dust to Dust

Anika De Souza

Dust to Dust, 2025
Acrylic, graphite, and oil stick on canvas
Oak veneer frame
60 x 60 cm
23 5/8 x 23 5/8 in
£ 1,700.00
Anika De Souza, Dust to Dust, 2025
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Further images

  • (View a larger image of thumbnail 1 ) Abstract square painting by artist anika de souza depicting a brown soill mark with blue light and calligraphy. Turner Art Perspective, Essex Gallery
  • (View a larger image of thumbnail 2 ) Abstract square painting by artist anika de souza depicting a brown soill mark with blue light and calligraphy. Turner Art Perspective, Essex Gallery
  • (View a larger image of thumbnail 3 ) Abstract square painting by artist anika de souza depicting a brown soill mark with blue light and calligraphy. Turner Art Perspective, Essex Gallery
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Thickening powders, special brushes, A poem, a limerick, Strokes of magical thinking. 'Dust to Dust' acts as an intimate anchor within the Surface Tension series. Here, the artist employs...
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Thickening powders, special brushes,
A poem, a limerick,
Strokes of magical thinking.

"Dust to Dust" acts as an intimate anchor within the Surface Tension series. Here, the artist employs bold washes of pigment to create a dense, contemplative field of browns and blacks, evocative of deep earth and memory.
The surface itself is an active space where a quiet choreography of line and language takes place. The handwritten elements – the traces of a poem, a limerick – are not simply written upon the surface but are embedded within it, demonstrating how pigment and script hold each other in perfect tension. It is a meditation on impermanence, created through the meticulous layering of thickening powders and special brushes.
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